Training the Archive
Ed. by Inke Arns, Eva Birkenstock, Dominik Bönisch, Francis Hunger
→ With contributions by Inke Arns, Hannes Bajohr, Eva Birkenstock, Dominik Bönisch, Nick Couldry, Elisa Giardina Papa, Adam Harvey, Mar Hicks, Mél Hogan, Francis Hunger, Moritz Ibing, Maya Indira Ganesh, Leif Kobbelt, Isaak Lim, Ulises Mejias, Matteo Pasquinelli, Gabriel Pereira, Anna Ridler, Alexa Steinbrück, Giulia Taurino, Magda Tyżlik-Carver
This publication on “Training the Archive” summarizes the results of the research project initiated at Ludwig Forum Aachen (2020–2023) in collaboration with HMKV Hartware MedienKunstVerein, Dortmund and RWTH Aachen University. The book consists of several contents: transcripts of interviews with experts from the field of artificial intelligence, a collection of material on the research process, and critical texts written especially for the volume. The project placed particular emphasis on the transfer of machine learning to curatorial practice and on questioning to what extent the emerging algorithmic models can support the exploration of museum collections.
→ Design: Off Office, München
→ Year: 2024
→ Language: Deutsch
→ Format: 19,5 x 28 cm, 216 Seiten
→ Verlag der Buchhandlung Walther König
→ ISBN 978-3-7533-0566-0
Was ist Kunst, IRWIN?
Ed. by Inke Arns, Thibaut de Ruyter
→ HMKV Exhibition magazine 2023/2
→ With contributions by Inke Arns, Thibaut de Ruyter, Lara Both
The publication Was ist Kunst, IRWIN? focuses on the Slovenian artist collective IRWIN, which is celebrating its fortieth anniversary in 2023. Since 1983, IRWIN has been grappling with the art history of Eastern Europe, specifically the ambivalent legacy of the historical avant-garde and its totalitarian successors – in other words, the dialectic of avant-garde and totalitarianism. Since the 1990s, the group has concentrated on a critical, iconoclastic examination of the art history of “Western modernism”. They playfully and cryptically juxtapose this with the “retro avant-garde” of an “Eastern modernism”. In the 2000s, NSK State in Time becomes relevant: a state without territory that nonetheless issues passports as a “confirmation of temporal space”. On the level 3 of the Dortmunder U, posters advertise travel to this fictional state.
The publication consists of two separate magazines. While the first magazine is concerned with black humour which is constantly present in the works of IRWIN, the second magazine deals with questions of the state – and how IRWIN, with that, comments on current topics such as migration.
In addition to new essays by Inke Arns and Thibaut de Ruyter and a comprehensive photo documentation of the exhibition it also contains a “source book” (texts: Inke Arns, Lara Both) that systematically breaks down the image sources of IRWIN’s works and situates them in their (art-)historical context.
→ Artist: IRWIN
→ Design: e o t . essays on typography, Berlin
→ Softcover, 17 x 24 cm, 288 pages, numerous illustrations, German/English, ISBN XXXX, Dortmund: Kettler, 2023
→ 18,00 €, order via Verlag Kettler or download as a free PDF
Jana Kerima Stolzer & Lex Rütten: We grow, grow, and grow, we’re gonna be alright and this is our show
Ed. by Inke Arns
→ HMKV Exhibition Magazine 2023/1
→ With essays by Inke Arns, Salome Rodeck, Lynn Margulis, Jörn Etzold, Bernhard Kegel, Bernd Heinrich, Christiane Heibach, Ludger Weß, Johann Brandstetter & Josef H. Reichholf
This multimedia exhibition embodies a radical change of perspective, observing the world through the eyes of non-human organisms to which we usually attribute no consciousness. The artists give these beings a voice: They speak to us of the technosphere and the central role of symbiosis in evolution (Micro), of deep time, extractivism, coal mining and sorcery (Xtract), of pioneer plants, invasive species and neophytes (Pionea), of carbon dioxide, warm and cold periods, superplants and sedimentation (Azolla), of the dream of using geoengineering to save the world (Symbiotechnica), of the technically mediated revival of extinct species (Extinct), and of corals, immortality, budding, cloning and the dream of eternal life (Hydra).
The artists speculate on existing and future symbiotic relationships between microorganisms, plants, animals, bacteria, fungi and technical objects as they ponder innovative cycles and alliances in nature, all in the age of the Anthropocene.
The magazine contains a comprehensive documentation of all works in the HMKV Hartware MedienKunstVerein.
→ Artists: Jana Kerima Stolzer & Lex Rütten
→ Design: e o t . essays on typography, Berlin
→ Softcover, 17 x 24 cm, 208 pages, numerous illustrations, German/English, ISBN 978-3-98741-048-2, Dortmund: Kettler, 2023
→ 18,00 €, order via Verlag Kettler oder download as free PDF
House of Mirrors: Artificial Intelligence as Phantasm
Ed. by Inke Arns, Francis Hunger, Marie Lechner
→ HMKV Exhibition Magazine 2022/1
→ With essays by Inke Arns, Adam Harvey, Francis Hunger, Marie Lechner
The exhibition House of Mirrors: Artificial Intelligence as Phantasm takes the common clichés about AI as an opportunity to talk about issues such as hidden human labor, algorithmic bias/discrimination, the problem of categorization and classification, and our fantasies about AI. It asks whether (and how) it is possible for us to reclaim agency in this context. Featuring more than 20 artistic works by international artists, the exhibition is divided into seven thematic chapters. The scenography of the exhibition is reminiscent of a giant house of mirrors. The exhibition brings together works by 21 international artists. The magazine contains texts by Inke Arns, Francis Hunger, Marie Lechner, Adam Harvey, as well as a documentation of all works in the HMKV Hartware MedienKunstVerein.
→ Artists: Aram Bartholl, Pierre Cassou-Noguès, Stéphane Degoutin, Sean Dockray, Jake Elwes, Anna Engelhardt, Nicolas Gourault, Adam Harvey + Jules LaPlace, Libby Heaney, Lauren Huret, Zheng Mahler, Lauren Lee McCarthy, Simone C Niquille, Elisa Giardina Papa, Julien Prévieux, Anna Ridler, RYBN, Sebastian Schmieg, Gwenola Wagon, Conrad Weise, Mushon Zer-Aviv
→ Design: e o t . essays on typography, Berlin
→ Softcover, 17 x 24 cm, 208 pages, many illustrations, German/English, ISBN 978-3-86206-996-5, Dortmund: Kettler, 2022
→ 18,00 €, order via Verlag Kettler or download as a free PDF
Technoschamanismus
Ed. by Inke Arns, HMKV
→ HMKV Exhibition Magazine 2021/3
→ With essays by Inke Arns, Erik Davis and Verena Kuni
With the figure of the shaman that Joseph Beuys cultivated throughout his career as its starting point, this exhibition focuses on »techno-shamanistic« artistic positions today. The artists in question not only regard shamanism as a technology in its own right, they also use other (speculative) technologies to seek out shamanic energies. Many of the tropes that Beuys so iconically employed to heal and transform society, to cultivate a spiritual connection with the environment, to overcome the power and the logic of capital are now deployed by contemporary artists, who thus update his strategies and questions for the digital age. The exhibition brings together works by 12 international artists. The magazine contains a documentation of all works in the HMKV Hartware MedienKunstVerein.
→ Artists: Morehshin Allahyari, Joseph Beuys, Mariechen Danz, Anja Dornieden & Juan David González Monroy, Lucile Olympe Haute, knowbotiq, Sahej Rahal, Tabita Rezaire, Jana Kerima Stolzer & Lex Rütten, Transformella (aLifveForm fed and cared for by JP Raether), Suzanne Treister, Anton Vidokle
→ Design: Nathow & Geppert, Bielefeld
→ Softcover, 17 x 24 cm, 216 pages, many illustrations, German/English, ISBN 978-3-86206-909-5, Dortmund: Kettler, 2021
→ 18,00 €, order via Verlag Kettler or download as a free PDF
Stefan Panhans, Andrea Winkler: The Pow(d)er of I Am Klick Klick Klick Klick and a very very bad bad musical!
Ed. by Inke Arns, HMKV
→ HMKV Exhibition Magazine 2021/2
→ With essays by Inke Arns, Matthew Herbert, Tom McCarthy
The title of this exhibition by the artists’ duo Stefan Panhans (DE) and Andrea Winkler (CH) refers to the rhetoric used by Evangelical Protestant megachurches in the USA, preaching a market-compatible neoliberal ideology of individual self-optimisation under the guise of Christian morals. The two artists’ works revolve around SUVs, communication with artificial intelligences, everyday racism, the cult of celebrity and clichéd roles, the “uncanny valley” and other post-digital feedback loops between human beings and virtual worlds as well as, last but not least, the precarious status of cultural workers.
→ Design: KOEPERHERFURTH – Büro für Konzeption und Gestaltung Jonas Herfurth
→ Softcover, 17 x 24 cm, 160 pages, many illustrations, German/English, ISBN 978–3-86206–908–8, Dortmund: Kettler, 2021
→ 18,00 €, order via Verlag Kettler or as a free PDF
Computer Grrrls
Ed. by Inke Arns, Marie Lechner, HMKV
→ HMKV Exhibition Magazine 2021/1
→ Cmptr Grrrlz brings together 23 international artistic positions that negotiate the complex relationship between gender and technology in past and present. The book deals with the link between women and technology from the first human computers to the current revival of technofeminist movements. An illustrated timeline with over 200 entries covers these developments from the 18th century to the present day. The magazine documents the exhibition which took place at HMKV (Dortmund), La Gaîté Lyrique (Paris) and MU (Eindhoven) in 2018-2019.
→ With essays by Inke Arns, Claire L. Evans, Elisa Giardina Papa, Marie Lechner, Rosa Menkman, Mimi Onuoha, Cornelia Sollfrank
→ Design: The Laboratory of Manuel Bürger, Berlin
→ Timeline design: Nicolas Couturier, Paris
→ Softcover, 17 x 24 cm, 200 pp., numerous illustrations, English/German, ISBN 978-3-86206-907-1, Dortmund: Kettler, 2021
→ 18,00 €, order via Verlag Kettler or download as a PDF (free)
Faţadă/Façade
Ed. by Inke Arns, Fabian Saavedra-Lara, HMKV
→ HMKV Exhibition Magazine 2020/2
→ The magazine contains an introduction, a brief outline of the history of the project, personal statements of those involved in the project, an essay of the Romanian ethnologist and Roma activist Delia Grigore, descriptions of the building models exhibited, as well as many illustrations documenting the exhibition.
→ With contributions by Inke Arns, Karola Geiß-Netthövel, Delia Grigore, Marny Garcia Mommertz, Fabian Saavedra-Lara, Cernat Siminoc, Jörg Stüdemann
→ Design: The Laboratory of Manuel Bürger, Berlin
→ Softcover, 17 x 24 cm, 136 pages, numerous illustrations, trilingual (German, English, Romanian), ISBN 978-3-86206-877-7, Dortmund: Kettler, 2020
→ 18,00 €, order via Kettler or download as a PDF (free)
The HMKV Videos of the Month 2014-2020
Ed. by Inke Arns, HMKV
→ HMKV Exhibition Magazine 2020/1
→ All HMKV Videos of the Month 2014-2020 complete – in one magazine! This magazine documents the HMKV Video of the Month series, which has presented current video works of international artists in a monthly rhythm since March 2014. The nearly 80 videos tell stories about strange clowns, speculative technologies, posthuman machines and degrading talent shows, as well as about animals and the old, “new” right. Another thematic field is (the history of) technology and artificial intelligence. Several works look back at socialism and discover unexpected links with the present. As if they were anticipating the current corona pandemic, several protagonists wear masks, dance wildly in isolating balloon suits, and an orchestra plays in an empty concert hall.
→ Design: KoeperHerfurth, Dortmund
→ Softcover, 17 x 24 cm, 188 pages, numerous video stills, German/English, Dortmund: Kettler, 2020
→ 18,00 €, order via Kettler oder download as a PDF (free)
Artists & Agents – Performance Art and Secret Services
Ed. by Inke Arns, Kata Krasznahorkai, Sylvia Sasse, HMKV
→ HMKV Exhibition Magazine 2019/2
→ The focus of the exhibition Artists & Agents is on the files that various secret services in Eastern Europe and beyond have created on performance artists from the 1960s to the 1990s – in order to be able to “infiltrate” them all the better and “liquidate” them from within. For this, however, they had to become performance artists themselves. In addition to the documentation of the exhibition, the magazine contains an introduction by the curators Inke Arns, Kata Krasznahorkai und Sylvia Sasse as well as an extensive glossary explaining in particular the terms used by the secret services.
→ Design: Nathow & Geppert, Bielefeld
→ Softcover, 17 x 24 cm, 228 pages, numerous illustrations & photos, German/English, Dortmund: Hartware MedienKunstVerein (HMKV), 2019
→ 18,00 €, order via Kettler oder download as a PDF (free)
The Alt-Right Complex. On Right-Wing Populism Online
Ed. by Inke Arns, HMKV
→ HMKV Exhibition Magazine 2019/1
→ The exhibition which presents twelve projects by 16 artists from twelve countries is accompanied by a critical glossary containing 37 entries that briefly explain the most important terms. The magazine contains a detailed introduction by the curator, an interview with Angela Nagle, all work descriptions as well as the complete glossary, a comprehensive photo documentation of the exhibition and further links to online ressources.
→ Design: e.o.t., Berlin
→ Softcover, 17 x 24 cm, 128 pages, numerous illustrations & photos, German/English, Dortmund: Hartware MedienKunstVerein (HMKV), 2019
→ 18,00 €, order via Kettler or download as a PDF (free)
Afro-Tech
Ed. by Inke Arns, Fabian Saavedra-Lara
→ With contributions by Inke Arns, Jürgen Fischer-Pass, Raimi Gbadamosi, Oulimata Gueye, Wanuri Kahiu, Hildegard Kaluza, Steffen Korthals a.k.a. Dash, Fabian Saavedra-Lara, Hortensia Völckers & Alexander Farenholtz, Alexander Ghedi Weheliye a.o.; translations by Patrick (Boris) Kremer
→ Design: KOEPERHERFURTH, Dortmund
→ Softcover, 168 pp., numerous illustrations & photos, 27,5 cm, German/English, Dortmund: Hartware MedienKunstVerein (HMKV), 2018
→ 5,00 €, order via www.hmkv.de
The World Without Us. Narratives on the Age of Non-Human Agents (Die Welt Ohne Uns. Erzählungen über das Zeitalter nicht-menschlicher Akteure)
Ed. by Inke Arns, HMKV
→ With contributions by Inke Arns, Nora N. Khan, Morehshin Allahyari & Daniel Rourke, Timo Arnall, LaTurbo Avedon, Will Benedict, David Claerbout, Laurent Grasso, Sidsel Meineche Hansen, Wanuri Kahiu, Ignas Krunglevicius, Mark Leckey, Nicolas Maigret & Maria Roszkowska, Eva & Franco Mattes, Yuri Pattison, Sascha Pohflepp, Julien Prévieux, Suzanne Treister, Addie Wagenknecht, Pinar Yoldas
→ Design by JAC-Gestaltung, Dortmund
→ Hardcover, cloth binding, 257 pp., Berlin: Revolver Publishing by VVV, 2017
→ 22,00 € plus shipping, order via www.hmkv.de
Nikolai Evreinov: “The Storming of the Winter Palace”
Ed. by Inke Arns, Igor Chubarov, Sylvia Sasse
→ With contributions by Iuri Annenkov, Inke Arns, Igor Chubarov, Konstantin Derzhavin, Sergej Eisenstein, Nikolai Evreinov, René Fülöp-Miller, Nina Gourfinkel, Aleksei Gvozdev, Adrian Piotrovski, Arthur Holitscher, Platon Kerzhentsev, F. Lenski, Lev Nikulin, Nikolai Petrov, Adrian Piotrovski, Sergei Radlov, Sylvia Sasse, Nikolai Shubski, Iosif Slepian, Dmitri Tëmkin, Vlagin, Leonid Volkov-Lannit
→ Zurich: diaphanes, 2017
[separate editions in DE/EN/RU]
alien matter
Ed. by Inke Arns, transmediale e.V.
Within the scope of ever elusive – thirty years of transmediale, the special exhibition alien matter, curated by Inke Arns, featured 17 artworks by 30 Berlin-based and international artists. With an introduction by Inke Arns and essays by Nora N. Khan, Elvia Wilk, Daniel Rourke, Eugene Thacker
→ Design by The Laboratory of Manuel Bürger, Berlin
→ Berlin: transmediale, 2017, 12,00 € plus shipping [DE/EN]
→ order via alienmatter(at)transmediale.de
Böse Clowns (Evil Clowns)
Ed. by Inke Arns, HMKV
→ With contributions by Inke Arns, Mark Dery, Judith Funke, Emmanuelle Jardonnet, John Law, Marie Lechner, Oliver Pohlisch, Al Ridenour [DE/EN]
→ Bönen: Kettler, 2016
→ 26,00 € plus shipping, order via HMKV
His Master’s Voice
Ed. by Inke Arns, Franck Bauchard, La Panacée
→ With contributions by Inke Arns, Franck Bauchard, Bojana Kunst, Thibaut de Ruyter, Katarina Zdjelar, Liesbeth de Mol (in French)
→ Montpellier: La Panacée, 2015
World of Matter
Ed. by Inke Arns, HMKV
→ With contributions by Nabil Ahmed, Inke Arns, Mabe Bethonico, Ursula Biemann, Gavin Bridge, T.J. Demos, Elaine Gan, Uwe H. Martin & Frauke Huber, Peter Mörtenböck & Helge Mooshammer, Timothy Morton, Emily Eliza Scott, Paulo Tavares, Lonnie van Brummelen & Siebren de Haan
→ Berlin: Sternberg Press, April 2015, English
→ 21.5 x 26.5 cm, 192 pages, 19 b/w and 85 color ill., softcover
→ ISBN 978-3-95679-083-6
→ 25,00 € plus shipping, order via HMKV
INDUSTRIAL (Research)
Edited by Inke Arns, Thibaut de Ruyter, HMKV
→ With contributions by Inke Arns, Thibaut de Ruyter, and Florian Wüst
→ The book documents HMKV’s eponymous exhibition curated by Inke Arns and Thibaut de Ruyter which took place in the context of the NEW INDUSTRIES FESTIVAL 2013 – 2014.
→ Berlin: Revolver Publishing by VVV, 2014, pocket book, 240 pages, numerous illustrations, two-coloured, soft cover, cover image using Hans Klein’s stained glass windows of the Dortmund Central Railway Station, mid-1950s [English/German]
→ 10,00 € plus shipping, order via HMKV
HIS MASTER’S VOICE: On Voice and Language
Edited by Inke Arns, HMKV
→ With contributions by Inke Arns, Florian Cramer, Bojana Kunst, Liesbeth de Mol, Katarina Zdjelar and Fabian Saavedra-Lara, including a documentation of the works in the exhibition and the performances, as well as the additional display cabinet materials contextualising and commenting upon the topic of the exhibition.
→ Bönen: Kettler, 2013, 16,8 x 23,5 cm, 256 pages, numerous color illustrations, soft cover [English/German]
→ 19,00 € plus shipping, order via HMKV
INDUSTRIAL on Tour
Edited by Inke Arns, Thibaut de Ruyter, HMKV
→ With contributions by Inke Arns, Jim Campbell, Joanna Erbel, Michal Libera, Daniel Muzyczuk, Thibaut de Ruyter.
→ Berlin: Revolver Publishing by VVV, 2012, pocket book format, 260 pp., numerous illustrations, two-coloured, cover image: Teofil Ociepka, 1962, Museum of Modern Art, Warsaw [English/Polish/German/French]
→ 10,00 € plus shipping, order via HMKV
Sounds Like Silence. John Cage – 4’33” – Silence Today
Ed. by Dieter Daniels, Inke Arns, 24 x 33 cm, 296 pages, design: Jakob Kirch / Pascal Storz, b/w, 2nd edition, 32,00 € plus shipping, Leipzig: Spector Books, 2012 [English, with German supplement] → order via Spector Books
→ With essays by Inke Arns, Brandon LaBelle, Dieter Daniels, David Toop, Dörte Schmidt, Julia H. Schröder und Jan Thoben. Anthology with contributions by Hans-Friedrich Bormann, John Cage, William Fetterman, Kyle Gann, Branden W. Joseph, Douglas Kahn, Jonathan David Katz, Irwin Kremen, Liz Kotz, Julia Robinson, Simon Shaw Miller und James Pritchett.
→ Artists’ contributions by Dave Allen, Heinrich Böll, Manon de Boer, Jens Brand, Klaus vom Bruch, John Cage, Cage Against The Machine, Martin Conrads, Martin Creed, Merce Cunningham, Paul Davis, Guy Debord, Christopher DeLaurenti, Einstürzende Neubauten, Carl Michael von Hausswolff, Jens Heitjohann, Pierre Huyghe, Jonathon Keats, Yves Klein, Kollektivnye Deystviya (Collective Actions), Christoph Korn, Shigeko Kubota, Brandon LaBelle, Henning Lohner, Christian Marclay, Ciprian Mureşan, Bruce Nauman, Max Neuhaus, Nam June Paik, People Like Us (Vicki Bennett), Hein-Godehart Petschulat, Robert Rauschenberg, Matt Rogalsky, Matthieu Saladin, Harald Schmidt, Helge Schneider, Petri Söderström-Kelley, Mladen Stilinović, Ultra-red, Stephen Vitiello, Gillian Wearing and Dick Whyte.
Sounds Like Silence (Audio CD)
Ed. by Inke Arns, Dieter Daniels
→ The CD contains the radio feature which was broadcast on August 24, 2012 between 00:05 and 01:00 a.m. in the Sound Art program of Deutschlandradio Kultur. It forms part of the exhibition Sounds Like Silence organized by the Hartware MedienKunstVerein at Dortmunder U from August 25, 2012 to January 6, 2013. Silence is announced, performed, broadcast, recorded, and recycled, and inscribes itself in media and bodies. The six chapters on this CD comprise amusing, strange, rare and illuminating recordings on and around silence.
→ Audio CD, 55:00 min., incl. booklet, German/English, design: labor b designbüro, published by Gruenrekorder, 2012, 14,00 € → order the CD
Francis Hunger: History has left the Building
Ed. by Inke Arns, HMKV
→ With contributions by Inke Arns (essay), Till Gathmann (visual essay), Francis Hunger and Fabian Saavedra-Lara (work descriptions) and a comprehensive photo documentation of HMKV’s exhibition at the Dortmunder U (2012). 16 x 22 cm, 104 pp., soft cover (glossy), 15 € plus shipping
→ Leipzig: Spector Books, 2012 → order the book
Gone to Croatan
Edited by Inke Arns, Daniel Muzyczuk, Robert Rumas, HMKV
→ With contributions by Inke Arns, Sir Arthur Conan Doyle, Goldin+Senneby, Richard Grayson, Jacek Kryszkowski, Daniel Muzyczuk, Dieter Roelstraete, Robert Rumas and David Toop and a comprehensive photo documentation of HMKV’s exhibition at the Dortmunder U (until 14 August 2011)
Revolver Publishing by VVV, Berlin 2012 [German/English]
→ 18,00 € plus shipping, order via HMKV
The Oil Show
Edited by Inke Arns, HMKV
→ With contributions by Inke Arns, Fabian Saavedra-Lara and Michael Watts.
→ Revolver Publishing | by VVV, Berlin 2011 [German/English]
→ 18,00 € plus shipping, order via HMKV
Barbara Breitenfellner: Dream of an Exhibition
Edited by Inke Arns, Hartware MedienKunstVerein
→ With contributions by Inke Arns and Ute Vorkoeper and a comprehensive photo documentation of the exhibition at HMKV im Dortmunder U (until 5 June 2011). 20 x 26 cm, 72 pages in total, 40 colour pages
→ Revolver Publishing by VVV, Berlin 2011
→ 15,00 € plus shipping, order via HMKV
Arctic Perspective Cahier No. 2: Arctic Geopolitics & Autonomy
Edited by Inke Arns, Matthew Biederman, Marko Peljhan, Nicola Triscott
→ Ostfildern: Hatje Cantz, 2010, ISBN-13: 978-3-7757-2681-8, 116 pp. [English]
→ 19,80 € plus shipping, order via HMKV
Arctic Perspective Cahier No. 1: Architecture
Edited by Inke Arns, Matthew Biederman, Marko Peljhan, Nicola Triscott
→ Ostfildern: Hatje Cantz, 2010, ISBN-13: 978-3-7757-2679-5, 148 pages [English]
→ 19,80 € plus shipping, order via HMKV
“Awake are only the Spirits” – On Ghosts and their Media
Edited by Inke Arns, Thibaut de Ruyter, Berlin: Revolver Publishing by VVV, 2009 [D/E]
→ With contributions by Inke Arns, Verena Kuni, Thibaut de Ruyter, Sam Ashley, Martin Howse, hans w. koch, Jan-Peter E. R. Sonntag
→ Order at HMKV
Anna Kournikova Deleted By Memeright Trusted System. Art in the Age of Intellectual Property
Edited by Inke Arns, Francis Hunger, et al., Kettler: Bönen/Westf. 2008 [D/E] → order the book
Waves – The Art of the Electromagnetic Society
Edited by Inke Arns, et al., Kettler: Bönen/Westf. 2008 [D/E] → order the book
HMKV – Hartware MedienKunstVerein 1996 – 2008
Edited by Inke Arns, Hans Christ, Iris Dressler, et al., Kettler: Bönen/Westf. 2008 [D/E] → order the book
History Will Repeat Itself. Strategies of Reenactment in contemporary (media) art and performance
Edited by Inke Arns, Gabriele Horn, et. al, Frankfurt am Main: Revolver – Archiv für aktuelle Kunst, 2007 [D/E] → order the book
The Hartware Guide to irational.org
Edited by Inke Arns, Jacob Lillemose, Framcis Hunger, et. al, Frankfurt am Main: Revolver – Archiv für aktuelle Kunst 2006, ISBN: 3-86588-299-4 [D/E] → order the book
Irwin: Retroprincip 1983-2003
Edited by Inke Arns, Ljubljana: Mladinska kniga, 2006, ISBN 86-11-17596-4 [SLO] → order the book
What is Modern Art? (Group Show)
Edited by Inke Arns, Walter Benjamin
→ With contributions by Inke Arns, Walter Benjamin, Julliane Debusscher, Branislav Dimitrijevic, Slobodan Mijjuskovic, Kim Levin, Beti Zervovc
→ 2 Vols. Frankfurt am Main: Revolver – Archiv für aktuelle Kunst 2006, Vol. 1 ISBN 3-86588-297-8 (source material), 116 pages, 19 x 25,5 cm, ca. 110 colour ill., Vol. 2 ISBN 3-86588-298-6 (critical edition) [D/E, 35,00 € plus shipping
→ order via Revolver Publishing or via www.inkearns.de
face the unexpected. Media art from Estonia, Latvia and Lithuania
Edited by Inke Arns, Kurt Wettengl / HMKV
→ Revolver – Archiv für aktuelle Kunst, ISBN: 3-86588-253-6, Frankfurt/Main 2006 [D/E]
→ Red Dot Design Award 2007
→ 10,00 € plus shipping, order via HMKV
“Subversive Affirmation”
Maska, Vol. XIX/ 3-4 (98-99) / 2006, edited by Inke Arns, Sylvia Sasse, Ljubljana 2006 [E/SLO] → order the book
On Disappearance. Loss of World and Escaping from the World
Edited by Inke Arns, Ute Vorkoeper, HMKV, Frankfurt/Main: Revolver – Archiv für aktuelle Kunst, 2005 [D/E] → order the book
Dispersed Moments of Concentration. Urban and Digital Spaces
Edited by Inke Arns, HMKV, Frankfurt/Main: Revolver – Archiv für aktuelle Kunst, 2005 [D/E] → order the book
Bild – Ton – Relationen
Edited by Inke Arns, Dieter Daniels, im Rahmen von Medien Kunst Netz, Karlsruhe/Leipzig 2005 [D/E] [http://www.medienkunstnetz.de/themen/bild-ton-relationen/]
Kinetographien
Edited by Inke Arns, Mirjam Goller, Susanne Strätling, Georg Witte, Bielefeld: Aisthesis 2004 [German] → order the book
Irwin: Retroprincip 1983-2003
Edited by Inke Arns, Dejan Sretenovic, Belgrade: Muzej savremene umetnosti (MSUB) 2004 [E/SR]
Irwin: Retroprincip 1983-2003
Edited by Inke Arns, Frankfurt/Main: Revolver – Archiv für aktuelle Kunst 2003 [separate D/E edition] → order via Revolver Publishing
Software Art
Editor of the panel discussion during transmediale.03 in the Künstlerhaus Bethanien/ media arts lab, Berlin, 4 Feb 2003. Participants: Amy Alexander (US), Florian Cramer (DE), Olga Goriunova (RU), Alex McLean (GB), Antoine Schmitt (FR) [E]
East Art Map: (Re)Construction of the History of Art in Eastern Europe
Contributing Editor. Project by Irwin / NSK and New Moment Magazine, Ljubljana 2002 [Texts on Willi Sitte, Werner Tübke, Wolfgang Mattheuer, Bernhard Heisig, Lutz Dammbeck, A.R. Penck, Carlfriedrich Claus, Gerhard Altenbourg, Via Lewandowsky, Autoperforationsartisten, Neo Rauch, Carsten Nicolai] [E]
mikro dokumentation. März 1998 – März 1999
Edited by Inke Arns, mikro, Berlin 1999. Print & Online version [D/E]
Bastard, special edition produced in response to the war in Yugoslavia
Edited by Inke Arns et al., Zagreb/Amsterdam, August 1999 [E]
Junction Skopje, selected texts from the V2_East/Syndicate mailing list 1997 – 98
Edited by Inke Arns, Syndicate Publication Series 002, Skopje 1998 [E]
“New Media Cultures in Central, Eastern and South-Eastern Europe”
Convergence: Journal of Research into New Technologies, Volume 4, No. 2, edited by Inke Arns, University of Luton Press, Summer 1998 (guest-editor) [E]
Ortsbegehung 4 – body of the message
Edited by Inke Arns, Neuer Berliner Kunstverein, Berlin 1998 [D/E]
Deep Europe: The 1996 – 97 edition. Selected texts from the V2_East / Syndicate mailing list
Edited by Inke Arns, Andreas Broeckmann, Berlin 1997 [E]
un-frieden. sabotage von wirklichkeiten / discord. sabotage of realities
Edited by Inke Arns, Ute Vorkoeper, Hamburger Woche der bildenden Kunst 1996 im Kunstverein und im Kunsthaus in Hamburg, Hamburg 1997 [D/E]
Reader of the V2_East / Syndicate Meeting on Documentation and Archives of Media Art in Eastern, Central and South-Eastern Europe
Edited by Inke Arns, Andreas Broeckmann, Rotterdam: V2_Organisatie / DEAF96, 1996 [E]
Minima Media: Medienbiennale Leipzig
Documentation of the Medienbiennale Leipzig 94, edited by Inke Arns / Dieter Daniels, Plitt Verlag und Mencke Presse für die Edition der Hochschule für Grafik und Buchkunst, Leipzig 1995 [D/E]
OSTranenie 93: Shattered Myths – New Realities. 1. International Video Festival at the Bauhaus Dessau
Focus on Central, Eastern and South-Eastern Europe, edited by Inke Arns, Elisabeth Tharandt, Dessau: Bauhaus Dessau, 1993 [D/E/R]